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Praising With Faint Condemnation

You may recall that I recently blasted the David Suchet Murder On the Orient Express — and I stand by that blasting. However, while I was researching that, I found out about a “modernized” 2001 made-for-TV version starring Alfred Molina, mostly by way of people shouting “Stay away! Stay away!”

Well, my curiosity was piqued to the point that I had Netflix shoot it off my way and took a look at it. And given my reaction to the last one, it may surprise you to hear that my verdict is: “It’s not that bad.” Or possibly, “It’s not bad for what it is.”

Is it Hercule Poirot? No. Let’s face it, the character of Poirot doesn’t really work outside of his historical context, and even if he did, Alfred “Throw Me the Idol, I’ll Throw You the Whip” Molina doesn’t really work as Poirot. He’s huge, he’s earthy; he’d make a great Larry Talbot. But a prim and dainty little detective? No. And for what it’s worth, the filmmakers seem aware of this: they downplay the eccentricity of the character, and instead introduce a pointless “exotic love interest” character to try to set up a sort of “Hercule Poirot, International Man of Mystery.” That doesn’t work either, but it’s not any fault of Alfred Molina’s, it’s just a dumb idea.

Made in the dot-com boom, a lot of the modernization revolves around technology: Daisy Armstrong’s father becomes a sort of Steve Jobs-ish software guru (as does his college pal, Arbuthnot), and Poirot finds several clues by looking up the Armstrong case on the internet — much to the outrage of many of the commenters I found about this film. But I didn’t have a problem with that: if you’re going to modernize a story, modernize it! I also think it’s worth giving the filmmakers points for addressing the fact that the “real” Orient Express has been more or less defunct since the ’70s [1], by having M. Bouc talk about his company’s revitalization of the line.

So, why am I more forgiving of this low-budget clunker than I am of the David Suchet version? It’s all about where you set the bar. This version makes no pretense of being a faithful adaptation of Christie’s work. Like the Margaret Rutherford “Miss Marple” movies, it uses Christie’s work as a launching pad to create its own thing. Does it succeed brilliantly? Well, no. There is some seriously clunky exposition and the only character to really make an impression is Ratchett himself. But at the same time, it’s not the slap in the face that the Suchet one was, either, and so I find myself feeling a lot more friendly towards it.

-The Gneech

[1] “The Orient Express” has a complex genealogy. You can still ride “an” Orient Express today, but it’s not the one Agatha Christie was writing about.

Originally published at gneech.com. You can comment here or there.

Comments

( 6 comments — Leave a comment )
radbaron
Aug. 10th, 2010 03:09 pm (UTC)

So then, what is your take on the movie "Cast a Deadly Spell"? being the fan of Cthulu that you are :)

http://www.imdb.com/title/tt0101550/
the_gneech
Aug. 10th, 2010 03:19 pm (UTC)
Given that I saw it 20 years ago and barely remember it, I don't have much take to give (so to speak). My memory is that it's painless entertainment. :)

-TG
sirfox
Aug. 10th, 2010 03:47 pm (UTC)
I liked it.
ccroft
Aug. 10th, 2010 08:24 pm (UTC)
I would love to hear your thoughts on the 2010 BBC Sherlock Holmes series when it comes to the states; I absolutely loved it to death. I think you might too :3

Edited at 2010-08-10 08:24 pm (UTC)
the_gneech
Aug. 10th, 2010 08:28 pm (UTC)
Well, it's got Moffat and Gatiss working on it, that's a good sign! It's got my curiosity piqued.

-TG
dhlawrence
Aug. 11th, 2010 02:02 am (UTC)
It's true--one would expect more of the Suchet team because they set such a high standard in the past. I was still disappointed by the modern-day retelling of the story, and by the use of British Pullman lounge cars for the exterior shots instead of actual Wagons-Lits sleeping cars (not like they weren't available in the UK; except for the Istanbul shots everything was filmed in Britain).

Altogether disappointing and not close to the 1974 adaptation.

And technically one can ride the Orient Express that Agatha write about. One of the restored sleeping cars of the Venice Simplon-Orient-Express was in the train that was snowbound for several days in 1929 (I think), leading to the creation of the novel. The only remaining part of the "original" Orient Express was cancelled in 2009, virtually unnoticed.

And now you know the rest of the story!
( 6 comments — Leave a comment )

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