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April 21st, 2014

So AwesomeCon was this past weekend, and it was very cool; pretty much the same experience as the San Diego Comic-Con, except not quite as packed beyond capacity and making you hate life because you couldn’t move for all the people in the way. If I could be sure it would never grow any bigger I’d happily make it a regular thing, but as this was only its second year, I suspect my hopes are going to be dashed in that regard. If I had one real beef about the con, it’s that it could use more SF/fantasy, gaming, and especially more ART, instead of just being an unrelenting drum of “comics, comics, comics.” (A con the size of AwesomeCon really should have a good art show, but it’s only their second year, hopefully that will come with time.) What makes Dragon*Con still worth going to, as horribly huge and unwieldy as it has become, is the broad swath of fandom. Where were the Tim Powerses, Seanan McGuires, and Neil Gaimans?

Seeing the huge response to AwesomeCon, OTOH, just reinforces my opinion that InterventionCon needs to kick it up a notch or it will eventually perish. I realize and fully support that they don’t want to become just another giant dealer hall in a convention center with no personality, and that their intended focus is on creators rather than attendees. I dig that and I’m all for it. But without attendees, really, how are you going to get creators to come? Going to a con requires a significant investment of time and possibly also a significant investment of money– for someone operating on tight margins (as most indie fandom creators are), there has to be a certain amount of confidence you’ll recoup that investment or they’ll just give it a miss. It doesn’t have to be sales, it could be networking or learning new skills or what-have-you, but again, how can you network if nobody is there? (Which could also be handily summarized by asking where are the Tim Powerses, Seanan McGuires, and Neil Gaimans…)

This year, I went to AwesomeCon purely as an attendee– I didn’t even bring business cards– mostly because I am sorta rebuilding my whole operation from scratch and wanted to learn the lay of the land, but also given all the upheaval my life has gone through in the past year I just wasn’t up to doing anything more. But the chances are quite good that I will try to get an artist’s table next year, especially if I can find someone to go in with me (running a table solo is a lonesome and exhausting activity). It would certainly be handy to have a largish local con to go!

-The Gneech

Originally published at gneech.com. You can comment here or there.

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